In This Moment


In This Moment

Motionless in White, VIMIC, Little Miss Nasty

Tue, July 25, 2017

Doors: 6:00 pm / Show: 7:00 pm

$35 Advance - $40 Day of Show

This event is all ages

All seating is general admission. Table reservations are available at The Cotillion or by calling 316-722-4201. Nancy's A-Maize-N Sandwiches will be here serving her Famous #8 and more! Text ROCK to 49798 for updates and chances at FREE tickets! The Check Room is open during events to check your coats, hats and purses.

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In This Moment
In This Moment
Nature counts the black widow spider amongst its most fascinating and dangerous anomalies. The female arachnid often devours its mate after copulation. It's both a delicate and dangerous predator. In This Moment isn't all that different from this enigmatic beast. Led by frontwoman Maria Brink, the Los Angeles hard rock outfit strikes with a seductive metallic bite on their aptly titled fifth full-length album, Black Widow.
"Black Widow is a metaphor for this innocent young girl who gets infected with life, traumas, experiences, and the balance of light and darkness," explains Maria. "She becomes this poised and powerful creature. That's the album."
"We went into this with the title Black Widow," says lead guitarist Chris Howorth. "It fits the image of Maria as this powerful heroine. If you think of the boys in the audience watching our stage show, she's like the black widow pulling them all in."
The record, the first for the band on Atlantic Records, picks up where the group's 2012 breakthrough, Blood, left off. That album saw In This Moment debut at #15 on the Billboard Top 200, their highest chart position to date, and eventually sold over 250,000 units in the U.S. alone. It also spawned the single "Blood," which rose to #9 on the Mainstream Rock and Active Rock Songs charts. A sold out headline tour, HELLPOP, followed, as well as appearances at the Uproar Festival and Rock On The Range, and jaunts with Shinedown and Papa Roach. After the whirlwind of Blood subsided, Maria and Chris retreated to Las Vegas in February 2014 to begin working on what would become Black Widow with longtime producer Kevin Churko [Ozzy Osbourne, Five Finger Death Punch].
While writing and recording in the studio, Maria and Chris both tapped into the fearless ethos that characterized Blood, inciting their next creative evolution in the process.
"It's almost like I was growing up in this industry," Maria admits. "I swear I went from a girl to a woman. I used to hold myself back, and I had all of these fears. I woke up one day and realized it doesn't matter what anybody thinks. We have to do what we want to do. When I did that, I was freed. We could do this big grandiose show, and we could make the music we wanted. It began with Blood. That's where we started to come alive and figure out who we really are. We let go of any walls and limitations. Black Widow is us doing what's in our hearts."
"Black Widow is a progression from the last record," Chris affirms. "That opened up the floodgates for us. There were no boundaries. We could just go for it. We weren't afraid of any ideas. We didn't worry about anyone's opinion. We approached the music with that attitude."
Their boundless approach shines through in album opener "Sex Metal Barbie." Tempering an industrial crunch and sexually charged synths with gnashing riffs and hauntingly hypnotic vocal delivery, the track instantly transfixes, calling out haters who hide behind keyboards.
"People can be so cruel on the Internet," she sighs. "I actually don't read anything negative about me or the band anymore. I don't let myself get sucked into that. In the end, music comes down to someone's personal perception of what they love. It's not meant for everyone. I wanted to empower myself with that online negativity somehow. I literally went on these sites and read mean things and rumors about me. I wrote them down and transformed them into lyrics for the song. I turned it all around."
"That was the second song we did," the guitarist recalls. "It came from Maria saying, 'What about building a metal song around a cool hip-hop beat?' Everything was constructed piece by piece, and it was very experimental. Once we finished the song, we felt like we had something special. It was a catalyst for more music."
Meanwhile, "Sick Like Me" begins with an eerie buzz before snapping into muscular distortion and a propulsive guitar gallop. Everything explodes on an anthemic sing-a-long hook.
"It's about when somebody loves you for everything you are," she states. "They love you even for what you consider flaws. It's that vision of people who are super eccentric and twisted, but they're perfect like that because that's who they are. They're meant to be."
Then there's "Big Bad Wolf," which bares its teeth with a bludgeoning riff, keyboard swell, and piercing scream. "It was destined to be a faster song," adds Chris. "Maria did this choppy, cool Mike Patton-style verse. It became really intense."
Maria smiles, "I like to say I have the Big Bad Wolf in me and this Little Piggy in me. In my perception, the Big Bad Wolf is the enlightened and loving part of myself, whereas the Little Piggy is the dark side. I have a natural pull towards darker things. It's the internal struggle of those two animals in me, but I realize both are very necessary for all of us. I need to embrace that fire, be wild and primal. That's important too."
In This Moment also teamed up with Shinedown's Brent Smith for the stunning duet "Sexual Hallucination." It’s an elegant electronic-infused piece that drips sexuality and darkness.
"We love Brent and Shinedown," Chris continues. "We didn't think we'd have a shot at getting him, but he instantly said yes. The song is a little different for him, and he jumped at the chance to do it."
One of the album's most powerful moments comes on the piano-driven rumination "The Fighter." Contrasted with the resounding stark keys, Maria's voice proves especially potent. She goes on, "It's embracing and accepting who I am. I used to think something was wrong with me. I've come to learn I'm perfect in how fucked up I am. I wouldn't have these songs to sing or be able to connect with people without that."
Ultimately, that connection with fans is what drives the band. "Their loyalty is incredible," declares Maria. "It comes down to us doing this for ourselves and our fans. We owe it all to them, and we're excited for everybody to experience this. This is who we are, and it's for them."
Motionless in White
Motionless in White
A new breed of dark rockers is subtly taking over, stealing the hearts of a dedicated legion of fans, with a blend of intense melodic metal and a penchant for the macabre. Already fan favorites in the scene, Pennsylvania sextet Motionless In White is set to rise to the front of the pack.

Their debut full-length album Creatures is a writhing behemoth of an album. Mixing gothic and industrial influences with brutal breakdowns, intense riffs and soaring choruses, the album interweaves themes of lust and revenge with the band's passion for horror movies, myths and vampire culture. The band has since been named as one of Metal Hammer's "75 Bands That Will Change The Face Of Metal", Alternative Press' Bands You Need To Know in 2010, and was one of Revolver Magazine's Bands To Watch.The band has made a huge visual impact in 2011 with their provocative videos for "Immaculate Misconception", starring Twisted Sister's Dee Snider, "Creatures" featuring NY Ink tattoo artist Megan Massacre, and "Abigail" which has has gained over 2 million views.

The band has already toured the U.S. with the likes of Asking Alexandria, Bleeding Through, In This Moment and Drop Dead, Gorgeous, Black Veil Brides and A Skylit Drive. After completing their tour with Escape the Fate and Alesana in early 2011, the band appeared at SXSW before launching into a full season of touring that included runs with Norma Jean, For Today, Vans Warped Tour and the All Star Tour with Emmure, and Iwrestledabearonce. The band continues their live onslaught into the fall on their first European tour in September/October with blessthefall and Pierce The Veil.

Armed with their jaw-dropping debut album, support from the media and an impressive live show ready to take to the masses, Motionless In White is poised at the center of a perfect storm, and is taking by the throat in 2011 and on to 2012. Miss them at your peril!

In fact, it actually starts with a group of extremely devoted, driven, and dedicated musicians—Jordison [drums], Kalen Chase Musmecci [vocals], Jed Simon [guitar], Kyle Konkiel [bass], and Matt Tarach [keyboards], Steve Marshall [guitar]—retreating to an Iowa basement in order to create music. It’s a place and process synonymous with his many successes.

Diagnosed with the often permanent neurological affliction Acute Transverse Myelitis, he spent three months in the hospital during 2012 and underwent intensive physical rehabilitation and training to not only achieve a full recovery, but to reach a new level of proficiency with his instrument. Emerging from this battle and returning to the stage for a string of festival appearances, Slipknot parted ways with him.

Finding a new strength and support from close friends and family, he put his head down and did what he does best.

“The riffs, lyrics, and drums of Open Your Omen will tell you a lot,” he admits. “I did this record when I was coming out of the Acute Transverse Myelitis condition. It’s literally what saved me and helped me get back to where I’m healthier than ever. These guys and this album pushed me to not only relearn how to walk, but to be able play the drums again. Open Your Omen is the rebirth of the rest of my life.”

In portentous fashion, the seeds became sown for VIMIC with Scar The Martyr. In 2013, the group’s critically acclaimed self-titled debut—featuring Simon and Konkiel—introduced listeners everywhere to a fierce new chemistry. As Jordison emerged from his fight with the disorder, he incited a shift in that foundation.

“Scar the Martyr was an amazing bridge for me in my career and led me to where I am now which morphed into Vimic, and I feel I finally landed home,” he explains. “It’s a really dark name, and it meant something at the time, but it didn’t register with the music I’m creating now. Through hard work and determination, we’ve made it up that hill which became Vimic. Open Your Omen is exactly that. It's where we are headed as a band.

He called up longtime friend Musmecci, whom he initially toured with in Korn, and the vision solidified. Holing up in Jordison’s home, the guys lived together, ate together, hung out together, and wrote countless songs together. The lineup would be rounded out by Steve Marshall [guitar] in 2016. They tapped into a style equally steeped in engaging and entrancing melodies as it is in unpredictable metallic technicality.

“There was a common goal,” he goes on. “With this record, it was complete honesty. It wasn’t trying to impress anyone or break down any doors. What we were trying to do was be true to our hearts and talent and give something back to the music that gave so much to us while we were growing up. It was about getting into the basement, grinding it out, being friends, and creating music.”

Heading to Sound Farm Studios, Jordison co-produced the record alongside Kato Khandwala [My Chemical Romance, The Pretty Reckless]. Dialing in every nuance, they crafted a deep, diverse, and dynamic soundscape.

“We really pushed each other in the best way possible,” he says. “Kato’s a killer producer and a great guy. He has a fantastic sense of humor, making the atmosphere really fun.”

The world got its first taste of the band when SiriusXM Liquid Metal premiered “Simple Skeletons” in May 2016. With its seesawing groove, mind-numbing drums, and haunting screams, the track immediately ignited buzz. Jordison would cover Metal Hammer Magazine and receive the prestigious Metal Hammer “Golden God” Award a month later, setting the stage for the record’s impending arrival. The first song he penned for the group “She Sees Everything” followed with its gnashing and guttural delivery and harmonic aural menace.

Now, the single “My Fate” explodes from a hummable lead into an unforgettable chant punctuated by focused, fierce, and fiery percussion.

“When people on the outside heard that song, their response was, ‘This sounds like everything you’re going through,’” he recalls. “There might be a possibility Kalen was thinking about it from an outside perspective for all of us. It became a calling card and a battle cry to let everyone know what we’ve been going through. It’s an emotional song. It was almost like our musical soul was speaking for itself before we could. That’s the beautiful thing about music and why I love doing it.”

Ultimately, VIMIC lays the groundwork for a very bright future. “I’m a firm believer in the other side and where the future takes us,” Jordison leaves off. “Sometimes, we hide things and bury them, but no matter what, there’s a destiny for all of us, and we don’t know what it is. With what I’ve been through and where I’m headed in life, this is my destiny.” — Rick Florino, September 2016
Little Miss Nasty
Little Miss Nasty
The name "Little Miss Nasty" is oh so fitting for this decadent troupe of feisty little sex kittens causing a ruckus in leather and stilettos and bringing a new breed of bad ass bitch to the Los Angeles and Las Vegas burlesque circles.