KYNG, Righteous Vendetta
Thu, July 6, 2017
Doors: 7:00 pm / Show: 8:00 pmThe Cotillion Ballroom
$23.00 - $199.00
This event is all ages
All seating is general admission. Table reservations are available at The Cotillion or by calling 316-722-4201. Nancy's A-Maize-N Sandwiches will be here serving her Famous #8 and more! Text METAL to 49798 for updates and chances at FREE tickets! The Check Room is open during events to check your coats, hats and purses.https://www.thecotillion.com/event/1470396/
“We turned a corner with Blood for Blood and we wanted to continue that path,” Paul states. “It’s much heavier and darker, and we take it to another extreme.” The album also fosters a sense of community and the notion that “we’re all in this together” among the metal community we are part of. The upside down “i” in the title is an exclamation point — a subtle indicator of how metal fans live their lives against the grain for their entire daily existence. “It doesn’t matter how old you are — you are always a metal kid,” Chad Gray declares, referencing himself and fans as one.
With the 2007 self-titled debut, HELLYEAH broke the ice, introducing the world to a band comprised of familiar faces who played in influential bands with signature sounds. 2010’s Stampede showed off a more pleasure-seeking side of HELLYEAH. 2012’s Band of Brothers was marked by internal change and further experimentation, while Blood for Blood found the band reaching the summit of brutality, creativity, and artfully mined piss and vinegar. UNDEN!ABLE is the logical next step and it’s frontloaded with songs that crackle with a palpable industrial aggro energy. As guitarist Maxwell succinctly says, “It’s belligerent and brutal, with peaks and valleys that bring you up and down, emotionally and lyrically.”
One reason it’s so belligerent and brutal? The time crunch that came along with crafting the album. The band spent 18 glorious but grueling months on the road in support of Blood for Blood and was given exactly two weeks (!!!) off before it had to start working on UNDEN!ABLE. The pressure and lack of recess awakened a sleeping giant within Maxwell. There was literally no time to waste and he marshalled his emotions for inspiration.
Without any time to decompress, Maxwell came out of the gates in sniper mode, admitting there was “no time for demo-itis!” He confessed, “I was pissed, agitated, and distraught. In the long run, it helped. There was so much intensity in the frustration.” Paul notes that the band “took no time off so that we didn’t get complacent. We knew there was a window of opportunity.” It may not have been optimal at the time, but it yielded a maximized result. “We know we did great, broken ankles and all,” he states. HELLYEAH’s usual formula remained unaltered when it came to the recording process. They demoed at Paul’s home studio in Dallas, TX before writing and recording with Kevin Churko in Las Vegas.
UNDEN!ABLE hosts redemptive, but throttling songs that will “scratch your soul,” according to Gray. “X” is fast, furious and “over the top,” says Paul. “It is something that metal fans need.” It’s expected to become an instant fan favorite. The more contemplative “Human” is moving, yet monstrous. The title track surges with raw energy and industrial crunch. “Love Falls” is a rhythmic and sultry departure for the band, which measures pain and anger equally, while “STARTARIOT” is nothing short of a fist-pumping, fuel-burning heavy metal epic.
UNDEN!ABLE is a complete work, including a cover that is the definitive visual matching the album’s sonic wrath. The artwork was inspired by Chad Gray and designed by William “Wombat” Felch, who the band discovered through his artistic interpretations of HELLYEAH songs on YouTube, and who Paul labeled “like a new member of the band.” The eye is emblematic of the metal community and the kids who find their kindred spirits in HELLYEAH. “The eyes are the portal to the soul,” Gray says. “There is more extremity, so I wanted it to represent looking into the eye of someone who is a member of the metal community being cast out. You always feel like a fighter. So we created this eye and the exclamation point [in the title] as the stamp on this madness. You are looking into the soul of a metalhead.”
Overall, there’s a surging current of hunger in UNDEN!ABLE. The members have had success in the past, but they’re not satisfied with all they have done. “It’s all I know,” Paul muses about what keeps him manning the kit and making new music, despite a career so illustrious that no one would fault him if he chose to hang up the sticks. “I could have quit and could be playing golf. Being a traveling musician? That fuels me. I have a true passion and belief in HELLYEAH and heavy metal music.”
Gray concludes, “We’re all in this together. We are metal fans first and foremost. We play off each other every night with our metal family. As a metal kid, I’d go to shows because I needed the release. Being on the other side now, I need this as bad as the fans do. I need to hit that deck every day and give everything I can.” The divide between HELLYEAH and their fans has been erased with UNDEN!ABLE. It’s an album made for the metal community, by the metal community.
Their first album, Trampled Sun, on REALID Records is set to hit the streets of the US and the World Wide Web September 27 while their first two singles, Falling Down and Trails in Veins, both mixed by Mike Watts (Adelita's Way, Hopesfall, Quicksand, Brand New), are set to take over the airwaves and online channels mid July and will be available at iTunes July 26th. The digital deluxe of Trampled Sun will contain 15 tracks exemplifying the bands great range and how much music KYNG has to offer the planet earth.
The Los Angeles based trio, hailing from LA and parts of Mexico, is as unique in spirit as their sound. Reminiscent at times of the metal and hard rock of the late 1970's in style and musical collection, with a presentation that is totally heavy, classic and modern-day all at once, they are sure to refresh the Active Rock and Metal landscapes of today and tomorrow. As drummer Pepe Clarke Magaña puts it, "I think we're doing stuff, or a combination of stuff that has been done before, in a way it's never been done before." Their sound on Trampled Sun easily provokes the question, "Is that really just 3 dudes?" The pipes on Eddie Veliz reminiscent of Cornell is his early days, the thunder brought by Pepe Clarke Magaña on the drums and the rolling rhythms brought by bassist Tony Castañeda have KYNG meant for great things.
Completing dates with The Sword, KYNG is currently out with Black Stone Cherry and Pop Evil and plan on touring forever as the road is the life's blood of any young hard rock band looking to take over the world. In the land of pigs, the butcher is KYNG.
Arising from humble small town origins, Righteous Vendetta offer positivity and encouragement against adversity, with a sound of defiance and power.
The band’s new album for Century Media Records, Cursed, arrives after a long season of writing, rewriting, honing, shaping and refining. It was a process that resulted in a definitive mission statement for the quintet, laying the blueprint for the band’s evolving creative identity. Cursed was produced and mixed by Mitch Marlow (In This Moment, Stitched Up Heart).