Seether

Seether

10 Years, Eye Empire

Sat, August 31, 2013

Doors: 7:00 pm / Show: 8:00 pm

$29.00 - $33.00

Sold Out

This event is all ages

All seating is general admission. A limited number of table reservations for groups of 4 or more are available at The Cotillion box office or by calling 316.722.4201.

Facebook Comments

Seether
Seether
On their sixth full-length album Isolate and Medicate, multi-platinum alternative rock trio Seether – Shaun Morgan [vocals, guitar], Dale Stewart [bass, backing vocals], and John Humphrey [drums] – strip their trademark melodic thrash to its core and deliver the most poignant, passionate, and powerful record of their illustrious career. With rigorous minimalism and maturity, chief songwriter Shaun Morgan – long one of rock’s most unheralded melodists, has become a composer of deep emotion and clear-eyed vulnerability. The band too has developed into one of rock’s most fearsome units, playing with precision, grit and authority, yet still light on their feet. After 15+ years of hardscrabble success, it’s evident that Seether felt like survival was not enough. They had something to prove with this new album – somewhere farther to go.

One reason for the new approach must surely be Seether’s close partnership with ace producer Brendan O’Brien (Springsteen, Pearl Jam). More like a member of the band than a hired gun, O’Brien repeatedly championed Morgan as one of music’s most gifted songwriters and vocalists and Seether as one of rock’s most extraordinary bands. His unrelenting faith in their talent and potential has been something of a North Star for Seether, helping them struggle through and outlast some very dark times.

Recognizing that he needed to limit distractions, in early 2013 Morgan went about constructing a refuge in his New Hampshire home – a space where these new songs could develop and take shape. “I actually built a room that I could write in,” he recalls. “I personally pulled out the carpet, put in wood flooring, decorated, and painted. After getting off the road, it was a process of preparation to get the environment just right. I made a place that I felt comfortable and creative in. I was able to be safe and isolated, concentrating on writing music instead of dealing with the distractions that come with daily life.”

Lyrically, Morgan has never been afraid to look his demons in the eye. The people in these songs confront the truth with simmering rage; it’s the fuel they need to make them feel alive. “The whole record is a collection of diary entries,” Morgan revealed. “It’s just where I’m at and what I’m going through. I’m writing songs about getting through whatever situations I’m in at the time. These songs deal with relationships and life situations.”

Morgan emerged with a collection of fleshed-out ideas that the musicians honed during rehearsals together in drummer John Humphrey’s native Oklahoma. By the time they assembled with O’Brien to record the album at Hollywood’s Henson Studios in January 2014, their vision had clearly come into focus.

“It felt so natural,” explains Humphrey. “When we get together, there’s an indescribable chemistry. That’s all over this album. The three of us can jam together and finish a song pretty quickly. We were really focused. These guys are my second family. We’re tight musically and otherwise.”

The band cut the entire album in sixteen days. The swift recording pace did not allow them to smother the tracks with overproduction, but rather gave the songs a chance to breathe. On working with O’Brien, bassist Dale Stewart enthused, “He’s like a fourth band member at this point. We understand each other. He likes to get in there and work quickly and he encourages us to be ourselves. We often followed our first instinct. That allowed us to capture the moment.”

The album opener, “See You At The Bottom,” quickly locks in with brutal force as Morgan’s Beatles-meets-Nirvana wail comes screaming out of the speakers. From there, the album never lets up.

Gnashing riffs underpin another infectious chorus on the virulent first single, “Words As Weapons.” Morgan’s remarkable ear for indelible melodies is truly the band’s secret weapon. It’s what makes Isolate and Medicate so damn listenable. Morgan makes unrelenting despair a fun listen.

“Same Damn Life” – a boiling rejection of suburban sprawl juxtaposed against Morgan’s surgery falsetto – is a pop metal surprise. “I always felt like there was something there,” Morgan said of the song. “It started from a riff and went into a vocal idea. I’m a big fan of The Beatles. It’s fun to do something with that pop element. Those are the songs that stick with you.”

The album’s centerpiece, “Crash,” is quite possibly the most beautiful song Seether has ever recorded. Gorgeous vocal lines and warm, fuzzed-out guitars cascading into pulsating wall-of-sound atmospherics mark an undeniable creative peak for the band. “It’s different from what we’ve done in the past and that excited all of us,” Stewart says. “It doesn’t follow the stereotypical formula. It’s pretty. It’s heavy. It’s emotional and deep.”

Another reason for the band’s fresh outlook is the strong support and enthusiasm they feel from new label partners The Bicycle Music Company/Concord Music Group. The brothers-in-arms feel was galvanized with their new team. “In one of our first meetings with the label, we played everybody five or six completed songs,” Morgan remembers. “This marked the first time anybody outside of the band and Brendan listened to it. Afterwards, everybody was really excited and happy. Seeing the level of enthusiasm was great. That felt like the moment everything came together. It was a rebirth, in a sense.”

Seether has worked tirelessly to reach this point. The hard rocking outfit originally from Pretoria, South Africa has now released eight albums in all, two of which have gone Platinum and two more that are certified Gold along with a live concert DVD that has sold over 500,000 units – for total worldwide sales in excess of 4.5 million. The consistent hit makers have quietly amassed eleven #1 singles and seventeen Top 5 multi-format hits resulting in singles sales that top seven million – a level of success few artists working today can match. Seether has averaged 120 performances a year, crisscrossing the globe, emerging into headlining mainstays and featured performers on many of the world's biggest rock festivals.
Isolate and Medicate will undoubtedly resonate deeply with the group’s fiercely loyal fans. “I hope everybody can feel this,” concludes Humphrey. “It’s a special album for us, and we put everything we had into it.”

Morgan completes the sentiment, “I want them to walk away having enjoyed the music. I want them to get the same emotional sense and happiness we feel listening to it. It’s so important and tied to memories we’ve all had. When somebody listens, it’ll hopefully make them feel good. They will know they’re not alone. That’s the reason we do it.”
10 Years
10 Years
After a year and a half on the road touring 2010's Feeding The Wolves, 10 Years reached a turning point. It was time to move forward and take full control of their career by launching their own label, Palehorse Records. In addition, the band decided to self-produce their fourth album, Minus the Machine, at drummer/guitarist Brian Vodinh's Kashmir Recording.

Splitting up with a major label after five years was "a very scary step to take," Hasek admits. "It's like breaking up with a longtime girlfriend. You're used to the motions, but when it becomes stale and unhappy, you need to move on and get energy back into your life. There was no anger on either side. We just painlessly parted ways."

Working together as a band for the first time since writing the Gold-selling album The Autumn Effect helped 10 Years go back to their roots, without label-enforced pressure to create a radio-friendly "hit," and free to experiment with the hard rock sounds that lie at the core of their music. "Our true fans who buy the albums, not just the singles, understand that our singles, for the most part, misrepresent the entire album," says Hasek. "As a band, we like to explore more and go a little left of center with song structures. We wanted to create an album that has no boundaries, and where we didn't have to make every song 'three minutes and 30 seconds' for a label to approve it. There's a fine line with that, of course, and we're very aware of it. We all grew up on rock music, and as many albums as we've written, the way we've written them, it's ingrained in us to work within a time frame that fits radio. There are definitely songs that work well for that, but as a whole, we wanted this album to represent a journey in a sense."

This chapter of 10 Years began in 2001, when Hasek took over as vocalist. Three years later they released their independent album, Killing All That Holds You, featuring the groundbreaking single "Wasteland," which led to their signing with Universal Records. "That song was created in 2001 or 2002," says Hasek. "We weren't seeking to write a smash single. We were just writing music." The Autumn Effect (2005) led to widespread radio and video play, a fiercely loyal fan base, and tours with heavyweights like Linkin Park, Korn and the Deftones. When their sophomore effort, Division, was released in 2008, 10 Years had cemented their place as one of hard rock's top contenders and most sought-after live bands. Still, says Hasek, despite the success, "it all came to a head" with the band's 3rd major label release, Feeding The Wolves. "When you feel like you're being told to go through motions and jump through hoops, it takes the heart out of it," he says. "We know that we need a hit and we understand that it's important. However, as musicians, we're not a band that says, 'We're going to make a hit.' It's better to do what comes naturally and then figure out the after-effect."

With that in mind, 10 Years created their most powerful songs to date for Minus The Machine, with Hasek again relying on personal experiences for his lyrics. [Insert something about the songs here; reference titles and content.] "Everyone asks about my inspiration for lyrics, and the best thing I can give them is a very generic answer: life," he says. "Life is the experience — it's everything you go through: the ups, the downs. I tend to gravitate more toward the therapy method. I'm not great at writing happy pop songs. So, I usually get the negative emotions out through music. As a person, I'm very happy and thankful for my life, but when it comes to lyrics, it's therapy for me."

One thing that won't change is 10 Years' connection with their fans. With the release of Minus The Machine, the band is looking forward to hitting the road, performing in close contact with their dedicated audience. "After the last touring cycle, we realized where we should strive to be, and that's to be totally fine in the club environment," says Hasek. "We don't plan to chase after arena rock or amphitheaters. If things like that happen, then so be it, but we live and die by the loyalty of the club audiences. Our fans are loyal. They travel with us, and they want us to be loyal to ourselves. That's what keeps them coming back. What we tried to do on this album is really give them what they want and what they need because they've been so good to us through the ups and downs of our career."

"First and foremost, when it's all said and done, we're proud of this album in its entirety," he says. "That speaks volumes to us because we're our own worst critics. We pick everything apart. An album is your child, it's your baby, and you know it better than anyone. To sit back and be 100 percent proud of what we've accomplished is so gratifying, and we think everything else will fall into place. We hope that everyone will enjoy what we've tried to do."
Eye Empire
Eye Empire
Eye Empire is an American rock supergroup, formed in 2009, consisting of former Dark New Day members Corey Lowery and B.C. Kochmit as well as Donald Carpenter formerly of Submersed. Garrett Whitlock, formerly of Submersed, and Dixie Duncan were Eye Empire's drummer and guitarist respectively from their formation until 2010. Drummer Will Hunt, Lowery and Kockmit's band mate in Dark New Day, joined the band in 2010 before departing in 2011, replaced by Ryan Bennett.

The band recorded their debut album entitled Moment of Impact in 2010 featuring contributions from Sevendust members Lajon Witherspoon and Morgan Rose. The album was given a limited release the same year, with a full release planned for 2011.