Dustin Lynch

Dustin Lynch

Shawna Russell

Fri, November 23, 2012

Doors: 7:00 pm / Show: 8:00 pm

$15 Advance - $18 Day of Show

This event is all ages

All seating is general admission. A limited number of table reservations for groups of 4 or more are available by calling The Cotillion at (316) 722-4201.

Facebook Comments

Dustin Lynch
Dustin Lynch
“Shhh!”
~ BIO ~
The note on the Bluebird Café’s Facebook page says it all: customers who visit the Nashville songwriters club – instrumental in the development of Garth Brooks, Faith Hill and Kathy Mattea – are expected to keep quiet and listen to the words from some of Music City’s most influential composers.
Listening has an added benefit – it gives the listener a chance to learn.
That’s how singer- songwriter Dustin Lynch used
the Bluebird. And he used it
intensely. He rented an
apartment behind the venue’s
back parking lot and literally
walked to the Bluebird several
times a week to listen and learn
about the mysterious art of creating songs from some of Nashville’s most important writers. Don Schlitz (“The Gambler”), Tony Arata (“The Dance”), Paul Overstreet (“Forever And Ever, Amen”) – all are mainstays of the Bluebird legend, and it was at their proverbial feet that he picked up key insights about the writing process.
“I was soaking it in, trying to be a sponge,” Lynch says. “I was mainly trying to hear the story behind the song, how it came about, what it’s really about. There’s something about understanding the songwriter’s realm. You get a little more grip on the way it was written and why it was written and how they got to the finished product.”
That education paid off in a big way for Lynch. He signed with Broken Bow Records – the home of Jason Aldean and sister label to Stoney Creek Records (home to Thompson Square) – and is working with producer Brett Beavers (known for his work with Dierks Bentley) and engineer Luke Wooten (Brad Paisley, Sunny Sweeney) on his debut album with a backlog of his own songs. He’s written that material with a bundle of Music City’s top writers – Dallas

Davidson (“Just A Kiss”), Tim Nichols (“Live Like You Were Dying”), Casey Beathard (“Don’t Blink”), Phil O’Donnell (“Back When I Knew It All”) and Steve Bogard (“Prayin’ For Daylight”), to name a few.
But it all goes back to the Bluebird for Lynch, a native of Tullahoma, Tennessee. Influenced in his youth by such stalwart country singers as Alan Jackson, Garth Brooks and Clint Black, Lynch knew the importance of the Bluebird, and he chose his college – David Lipscomb University – in part because it was less than two miles from the club, which proved immensely important in his development.
Lynch auditioned on a Saturday morning for a chance to play its open-mic night the following day. He passed the audition and impressed host Barbara Cloyd so much that she chased him into the parking lot and offered to help him get some footing in the community.
As he began to establish himself at the Bluebird, Lynch got a call from Pete Hartung – manager for singer-songwriter Justin Moore – who had found Dustin’s MySpace page and wanted to get involved. Within weeks, Lynch had a publishing deal, and he made the most of it, writing a staggering 200+ songs in less than two years.
“I’m a workaholic,” he says. “I was getting paid to write songs, so that’s what I did. That’s just the guy I am, if I’m not doing something I get bored, so I was trying to write the best record possible and decided to just get after it as hard as I can.”
Even as a Bluebird visitor, Lynch had made an impression. After he signed his publishing deal, one of the company’s executives persuaded Phil O’Donnell and Casey Beathard to book a co-writing session with the new writer, even though they’d never even heard his name. As soon as he walked through the door, they exploded: “Holy crap, Dustin! We know you!”
But it’s not just physical recognition that Lynch has achieved with his studious approach to songwriting. He combined his fascination with words and melodies with concert skills he developed in high-school bands and playing the southeastern club circuit. That combination has made him one of country’s artists to watch, a performer who’s written his own mix of party songs and ballads with a unique perspective. It’s his own viewpoint, honed from watching the world, and watching the experts.
It’s all there, waiting for anyone else willing to... Listen.
Shawna Russell
Shawna Russell
Shawna Russell hails from Okemah, Oklahoma, the home of Woody Guthrie. And like the legendary figure, Shawna has spent a good deal of her life writing songs and traveling the roads of America performing her music. Forging a musical sound that combines Country, Rock, Folk and Americana, Shawna has built a reputation as a powerhouse singer who also knows how to play a mean slide guitar.
Her music has received critical acclaim from COUNTRY WEEKLY, BILLBOARD.COM, CMA CLOSE UP, MAVERICK (UK), MUSIC ROW, ROUGHSTOCK, DREAMWEST (France), THE OKLAHOMAN, TODAY’S COUNTRY MAGAZINE, OKLAHOMA GAZETTE and others. Shawna’s radio singles have included “Goddess,” “Should’ve Been Born With Wheels,” “Fire In The Desert,” “Get Right Or Get Left,” “Sounds Like A Party,” “Everybody’s Got A Story” and “Waitin’ On Sunrise.” Her songs have charted in the U.S. on the Texas Music,
Billboard “New and Active” and MusicRow charts, and internationally on the Hotdisc and New Christian Music charts.
Shawna released her self-titled sophomore album on Way Out West Records in summer 2011. Recorded in Oklahoma City and Nashville, and co-produced by Julian King (Grammy-winning engineer for Faith Hill, Tim McGraw, Toby Keith), along with Clif Doyal and Tim Russell, the album reflects her growth as an artist and a maturity of her song crafting skills. Shawna wrote, or co-wrote, the 10 songs on the project and they provide the listener with a deeper personal connection to her varied influences and artistic expression. From the guitar-driven Country Rock sounds that have become her trademark to mandolin-tinged traditional Country and Americana stylings, ‘SHAWNA RUSSELL’ presents the Oklahoma songbird at a new creative pinnacle.
Shawna takes great pride in the musicians who join her in the studio to help create her sound, including stellar and legendary talents such as mandolin, banjo and acoustic guitarist, Bryan Sutton (2000-2006 IBMA “Guitar Player of the Year”); electric, slide and acoustic guitarist, Jon Conley (Kenny Chesney, Wynonna); along with keyboardists Charles Judge (Stevie Nicks, Rascal Flatts) and Jim “Moose” Brown (Jamey Johnson, Ricky Skaggs); drummers Russ Kunkel (Carly Simon, James Taylor), Shannon Forrest (Mindy Smith, Sheryl Crow) and Billy Thomas (Vince Gill); bassists David Santos (John Fogerty, Elton John) and Mike Brignardello (Lynyrd Skynyrd, Sugarland).
Shawna first came on to the national and international music scene in 2008 with the release of her debut album, ‘GODDESS,’ for which she co-wrote 12 of the 13 songs. Leading up to her well-received debut was an incredible amount of hard work and years of perseverance. Shawna first sang in public at age 7. At 13, she and her dad, Keith, formed a country band that played for clubs and Elks Lodges on weekends. At 17, she joined her Uncle Tim’s band, which was already a successful regional band on the club circuit across the Southwest. These experiences gave Shawna a training ground to hone her remarkable vocal chops and skills on acoustic rhythm, electric slide and lead guitar while touring across much of the U.S. performing at many of America’s top live music clubs, including The Grizzly Rose, Billy Bob’s and the Wildhorse Saloon. She also spent three years fronting and playing guitar in fellow Oklahoman, Ty England’s band, which included a USO Tour of Korea in 2005.
Shawna currently performs a busy schedule of casino, club and concert dates traveling with her band in a bus formerly owned by Willie Nelson. With her admirable resume and even more extraordinary musical and vocal talents, she is indeed a force to be reckoned with. Retro and rockin’- to country and contemplative - Shawna Russell stakes her claim with a power that will not be denied.