A Day To Remember
Moose Blood, Wage War
Tue, October 17, 2017
Doors: 6:30 pm / Show: 7:30 pmThe Cotillion Ballroom
$34.50 Advance - $40 Day of Show
This event is all ages
All seating is general admission. Table reservations are available at The Cotillion or by calling 316-722-4201. Nancy's A-Maize-N Sandwiches will be here serving her Famous #8 and more! Text ROCK to 49798 updates and chances at FREE tickets! The Check Room is open during events to check your coats, hats, purses and more.http://www.thecotillion.com/event/1504237/
But for new album Bad Vibrations, the Ocala, Florida-based quintet of vocalist Jeremy McKinnon, guitarists Kevin Skaff and Neil Westfall, bassist Joshua Woodard and drummer Alex Shelnutt switched gears and headed for uncharted territory. Their path included a loose and much more collaborative songwriting process, one that also saw them recording for the first time with producers Bill Stevenson (Descendents, Black Flag) and Jason Livermore (Rise Against, NOFX). And though the album’s being released on the band’s own ADTR Records (like 2013ʹs Common Courtesy), this record marks their first distribution deal with Epitaph and is the first time they’ve worked with Grammy winner Andy Wallace (Foo Fighters, Slayer), who was brought in to mix.
“We completely changed the way we wrote, recorded and mixed this album,” says vocalist Jeremy McKinnon. “It was one of the most unique recording experiences we’ve ever had. We rented a cabin in the Colorado mountains and just wrote with the five of us together in a room, which was the polar opposite of the last three albums we’ve made. We just let things happen organically and in the moment. I think it forever changed the way we make music. And working with Bill was an awesome experience. He was a bit hard to read at first, so I think we subconsciously pushed ourselves harder to try to impress him. As a result, we gave this album everything we had.”
Recorded at Stevenson’s Fort Collins-based Blasting Room Studios, Bad Vibrations masterfully channels the kinetic energy that recently found A Day To Remember named “The Best Live Band Of 2015′′ by Alternative Press. The band decided to forgo digitally driven production and focus on live recording. “These days it seems like a lot of heavy sounding music is heading more and more in a digital direction,” notes McKinnon. “That’s not necessarily a bad thing, but we wanted to go the opposite way and make something that’s aggressive but has more of a natural flow and feel to it.”
By powering Bad Vibrations with so much raw passion, A Day To Remember ultimately deliver some of their most emotionally intense material to date. “I’m like a child screaming in a room when I write,” laughs McKinnon. “I’m singing about the things that are frustrating me, but at some point there’s an arc within the song. It’s almost like I’m giving advice to another person about whatever I’m struggling with, but I think I’m really just trying to give that advice to myself.”
The catharsis-inducing album sees the band tackling duplicity and deception (on the gloriously frenzied ‘Same About You’), the destructive nature of judgmental behavior (on ‘Justified,’ a track shot through with soaring harmonies and sprawling guitar work), addiction (on the darkly charged ‘Reassemble’), and friendship poisoned by unchecked ego (on ‘Bullfight,’ a track with a classic-punk chorus that brilliantly gives way to a Viking-metal-inspired bridge).
‘Paranoia,’ one of the most urgent tracks on Bad Vibrations, fuses fitful tempos and thrashing riffs in its powerful portrait of mental unraveling—an idea born from the band’s commitment to close collaboration in making the album. “Originally it was a joke song about someone being paranoid, but then Neil and Kevin and I started brainstorming lyrics together, which we’d never done before,” recalls McKinnon. “It ended up being shaped so that the verse is a person talking to a psychiatrist, the pre-chorus is the psychiatrist talking back to that person, and then the chorus is paranoia personified. The whole thing just exploded and came together in this really cool way.”
On ‘Naivety,’ the band slips into a melancholy mood that’s perfectly matched by the song’s bittersweet, pop-perfect melody. Says McKinnon, “It’s about that journey when you’re getting older and starting to view the world as a little less magical than you used to, and you’re missing that youthful enthusiasm from when you were a kid.”
Ultimately, McKinnon says that this particular album-making process breathed new life into the band. “Breaking out of our comfort zone and working in a less controlled way, we ended up making something that feels good to everyone, and we can’t wait to go out and tour on it,” he says. “I think a big part of why our music connects with people is that they’re able to get such an emotional release from our songs. And while most of the songs are me venting about whatever’s affecting me at the time, people who are going through something similar can see that it’s coming from a real, honest place. That’s really the core of what A Day To Remember has always been.”
A Day To Remember’s new album, Bad Vibrations, is available now on ADTR Records.
Having already played a bunch of shows with the likes of Hawthorne Heights, Broadway Calls and Gnarwolves, and a UK/European release through FITA records and Day By Day records, things are definitely moving quickly.
In fact, Wage War IS that community, as Quistad explains, "A lot of the themes in our songs are about growing up to be a productive person, and dealing with the real things that can happen in life and coping with circumstances that could be problematic,"says Quested. "The first single we're releasing, 'Alive,' is an anthem to all the naysayers out there that are always talking about our generation being a bunch of losers."
Blueprints, the band's debut album co-produced by A Day To Remember's Jeremy McKinnon along with Andrew Wade, resounds with all of the tension and ingenuity of its creation. The band delivers 11 tracks of uncompromising multi-dimensional metalcore, filled with high-intensity rhythms, battering drums and blazing guitars, tempered with tuneful vocal passages. Crushing breakdowns alongside a combination of roaring and melodic vocals prove powerful enough to level a small village. Yet, Wage War aren't focused solely on destruction.
"The goal of Blueprints was to establish a foundation," Quistad says. "It';s our first record and our first chance to show people what we're about. So we really went all out to deliver the best songs we could possibly write and play them to the best of our ability. I think a lot of people are going to be surprised."